Heather McPherson

PROFESSOR OF ART HISTORY

hmcphers@uab.edu          Office // AEIVA 225           205.934.4942
McPherson crop

MA Université de Paris/Sorbonne, Paris; PhD University of Washington, Seattle

Areas of Specialization: 18th-20th-century European art with a focus on French art and visual culture

Heather McPherson’s research area is Modern European art and visual culture. Her research focuses on portraiture and issues of representation, including the role of photography; the intersection of the visual and performing arts in eighteenth-century London; and the artist’s studio and the evolving image of the artist in nineteenth-century France. She has published widely on French art and visual culture in journals including the Gazette des Beaux-Arts, Nineteenth-Century Contexts, Nineteenth Century Studies, and the Bulletin Marcel Proust, and has authored exhibition catalogues on Gavarni’s Images of Women, Portraiture in the Age of Proust, and Marie Laurencin. Her research on Sarah Siddons, cultural politics, and modern celebrity has appeared in Eighteenth-Century Studies, Studies in Eighteenth-Century Culture, The Eighteenth Century: Theory and Interpretation, The Huntington Library Quarterly, and essay volumes. Recent publications include: “Theatrical Celebrity and the Commodification of the Actor,” The Oxford Handbook of the Georgian Theatre, 1737-1832, eds. Julia Swindells and David F. Taylor, 192-212 (Oxford University Press, 2014) and “The Artist in His Studio: Dress, Milieu, and Masculine Identity,” Portraiture and Masculine Identity in France, 1798-1914, eds. Temma Balducci, Heather Belnap Jensen, and Pamela Warner, 87-105 (Ashgate, 2011).

Her current project examines the evolving image of the artist in nineteenth-century France through the lens of the studio. Using a series of case studies from Corot to Bazille to Picasso, it seeks to reframe and contextualize the image of the artist by reassessing how factors such as the intensified preoccupation with professional identity and artistic temperament and changing conditions of artistic production and the exhibition and marketing of art helped reshape it.

McPherson was awarded the 2001 Southeastern College Art Conference Award for Excellence in Scholarly Publishing for her book, The Modern Portrait in Nineteenth-Century France (Cambridge University Press, 2001) and the Frederick W. Conner Prize in the History of Ideas for Fin-de-Siecle Faces: Portraiture in the Age of Proust (1989). In 1998 she was the recipient of the President’s Award for Excellence in Teaching in the School of Arts and Humanities.  

She has received numerous research awards including fellowships from the Center for Advanced Study in the Visual Arts, the Lewis Walpole Library, the Folger Shakespeare, the Harvard Theatre Collection, the British Academy, the Yale Center for British Art, the Huntington Library, the National Endowment for the Humanities, and the Camargo Foundation.