Dr. Steven Roberts is associate professor of jazz studies and trumpet at the University of Alabama at Birmingham. Previously, he was assistant professor of trumpet and jazz at Mars Hill College after holding a similar position at Iowa State University. He is an active teacher and freelance musician and has performed with Kirk Whalum, Vincent DiMartino, Ryan Anthony, Jon Faddis, Allen Vizzutti, Cecil and Deedee Bridgewater, Chip McNeill, Jim Pugh, Charo and many others. His group “The Roberts Jazz Project” released their album Let’s Fall in Love in 2012This album features Roberts on both trumpet and keyboard.  He is also music director for Unity Church of Birmingham and Saint Junia United Methodist.

As director of the UAB Jazz Ensemble, Roberts has led the group to first place in the Alabama Jazz Hall of Fame competition three out of the last four years.  Roberts has premiered arrangements for trumpet ensemble at two International Trumpet Guild conferences, and in October 2012 premiered an original brass quintet arrangement on an Eastern European quintet tour.  In the summer of 2014, Roberts toured Europe for a month splitting time with the UAB Faculty Brass Quintet, the rock band “Downright”, and completing the tour with his group “The Roberts Jazz Project.”

 In the spring of 2011, Roberts presented with Dr. Andrew Wolvin (University of Maryland, College Park) at the International Listening Association Conference on a panel entitled “Musical Listening.”  The project sought to explain the effect of musical techniques on speech. In the summer of 2013, Roberts was the scholar for the Birmingham Library film/discussion series “America's Music: A Film History of Our Popular Music from Blues to Bluegrass to Broadway.”

Along with jazz experience as a member of “the Roberts Jazz Project”, “Steve Roberts Jazz Quartet”, “Birmingham Seven”, and various jazz ensembles aboard Holland America and Royal Caribbean cruise ships, Roberts has also had extensive classical ensemble experience performing with the UAB faculty Brass, the Mountain Empire Brass Quintet, the Johnson City Symphony, the Champaign-Urbana Symphony and Sinfonia da Camera.

Dr. Roberts received his Bachelors in Music in 1999 from Oberlin Conservatory of Music where he studied classical music from members of the Cleveland Orchestra and Detroit Symphony Al Couch and Bill Lucas respectively, and studied jazz from Kenny Davis, Robin Eubanks, Wendall Logan and Neal Creque, freelance musicians from Cleveland and New York.

Dr. Roberts received his Doctorate of Musical Arts in trumpet performance and jazz at the University of Illinois (U.C.) in 2005, where he also received his Masters degree in 2001. He was a soloist with the University of Illinois Wind Symphony, served as principal of the University Orchestra, and filled the jazz chair in the top jazz band. At Illinois he studied trumpet from Ray Sasaki, Michael Ewald, and Ronald Romm, and jazz from Chip McNeill, Vern Sielert, Ron Bridgewater and Thomas Wirtel.
Dr. Reynolds, B.M. - Samford University, M.M. - Southwestern Theological Seminary, and D.M.A. - University of Illinois, is Associate Professor of Music. As Music Director of the International Cathedral Music Festival, singers and instrumentalists from all over the world have performed under his direction in such historic venues as Salisbury Cathedral, Southwark Cathedral, Christ Church - Oxford, St. Mary's Church - York, St. Giles Cathedral - Edinburgh, Domkirche - Eisenstadt, St. Etienne-du-Mont - Paris and the Votivekirche and St. Stephen's Cathedral in Vienna.

Henry Panion, III, PhD, holds degrees in music education and music theory from Alabama A & M University and the Ohio State University, respectively. He is most known for his work as conductor and arranger for superstar Stevie Wonder, for whose performances and recordings he has led many of the world’s most notable orchestras, including the Royal Philharmonic, the Bolshoi Theater Orchestra, the Birmingham (England) Symphony, the Orchestra of Paris, the Melbourne (Australia) Symphony, the Rio de Janeiro Philharmonic, the Ra’anana Philharmonic, the Nice Symphony, the Gothenburg Symphony, and the Boston Pops Orchestra. The two-CD set Natural Wonder features Dr. Panion conducting his arrangements of many of Stevie Wonder’s award-winning, chart-topping songs with Stevie and the Tokyo Philharmonic.

Paul Mosteller is a native of Philadelphia, PA, where he frequently sang solo roles in much of the major oratorio literature. He was a scholarship student of Beverley Johnson at The Juilliard School in New York, and continued his vocal studies with a number of distinguished voice teachers and coaches, including John Wustman (Urbana, IL), Paul Sommers (Kansas City, MO), John Van Cura (Waco, TX), and Josephine Lott (Long Beach, CA).

Mosteller is Associate Professor of Voice at UAB, where he regularly collaborates with pianist Yakov Kasman in recitals of Russian romances and other vocal literature. He made his western European debut singing Mahler's "Des Knaben Wunderhorn," conducted by Thomas Fulton of the Metropolitan Opera. Additional concert performances include "Carmina Burana," "Elijah," "Messiah," "The Creation," the Bach Passions, the Milhaud Sacred Service, and Requiems of Mozart, Brahms, Donizetti, Duruflé and Fauré. He has appeared as baritone soloist with such diverse organizations as the Concerto Soloists of Philadelphia, Oratorio Singers of Charlotte, Alabama Symphony Orchestra, Birmingham Opera Theatre, Alabama Operaworks, Pennsylvania Pro Musica, Greenwich Choral Society, Westchester Choral Society, and Birmingham City Stages.

Cara Morantz joined the faculty at the University of Alabama at Birmingham as Assistant Director of Bands in the fall of 2014. She is a part of the instructional team for the Marching Blazers, the Wind Symphony and Symphony Band, and the Blazer Bands. In addition, she provides instruction in music classes including courses in music education.

Brian Kittredge joined the University of Alabama at Birmingham faculty in 2010 as Director of Choral Activities, where he conducts the University Concert Choir, Chamber Singers, University Chorus, and teaches courses in conducting and music education. The UAB choirs under his direction have been selected as the recording choir for the MorningStar Publication series, featuring premiere performances of K. Lee Scott’s "Gloria" and Michael Trotta’s "I Shall See." Most recently, the UAB Concert Choir was invited to perform in the Championship Competition at the Interkultur World Choir Games in Riga, Latvia in July 2014, and was the featured ensemble in the world premiere performance of Glenn McClure’s "Songs of Freedom," a project commemorating the anniversaries of the Civil Rights Movement and the signing of the Emancipation Proclamation. The Concert Choir was also invited to perform at the 2012 Alabama Music Educators Conference in Montgomery, AL.

Dr. Howard Irving (BM Centenary College, MM and PhD Louisiana State University) is Professor of Music. He teaches courses in Music History and Literature and Music Appreciation. He has published articles in numerous scholarly journals, including Current Musicology, Music and Letters, The Journal of Music Theory Pedagogy, College Music Symposium, and The Music Review. He has served on the editorial board of College Music Symposium and as President of the American Musicological Society's Southern Chapter. Dr. Irving's research interests include eighteenth and nineteenth-century British music criticism and historiography and the keyboard works of Joseph Haydn. His book Ancients and Moderns: William Crotch and the Development of Classical Music was published in 1999 by Ashgate Press.
My Work:
Over the past ten years, my research and music has focused on the use of temporal disruption and its effect on the progress of the musical narrative. In many of my compositions, including Hook, Line, & Sinker, Sans Titre VII, I Forget What Eight Was For, and most recently, Triptych: Three Studies in Gesture and Noise, I have attempted to explore and develop three basic concepts typically associated with discursive semantics: the brief, yet violent ”interjection,” the extended “interruption,” and the longer musical “digression.” It has been my aim to create an energetic and engaging piece that focuses on the juxtaposition of dissimilar tempi, texture, and timbre, yet somehow maintains a sense of continuity and direction.

Dr. James Zingara is currently Assistant Professor of Trumpet at the University of Alabama at Birmingham where his responsibilities include applied trumpet and brass methods, coaching and conducting brass ensembles, performing with the UAB Faculty Brass Quintet and coordinating the annual UAB Brass Symposium. From 1998 to 2011 Dr. Zingara was Associate Professor of Music at Troy University in Troy, Alabama where he taught applied trumpet, brass methods, conducted the Troy University Trumpet Ensemble and served as Coordinator of Applied Studies. 

He has performed in 32 states as well as England, Denmark, Latvia, Germany, the Czech Republic, China and Singapore. From 1989-1996 he served as principal cornet/trumpet soloist with the US Air Force Heritage of America Band. As an orchestral trumpeter, he has performed with the Alabama Symphony, Pensacola Symphony, Northwest Florida Symphony, National Symphonic Winds, Sinfonia da Camera, Illinois Symphony, Virginia Symphony, Wisconsin Chamber Orchestra, and the Cheyenne Symphony. As a chamber musician, he has performed with the UAB Faculty Brass Quintet, the Alabama Trumpet Guild Ensemble, the Chicago Chamber Brass, the University of Illinois Faculty Brass Quintet, Ensemble Screamer, the Heritage Brass and many other regional brass quintets and ensembles. His over 120 solo appearances have included professional, military, university and high school level organizations across the United States. He has recorded on the Telarc, Zephyr, Capstone and Mark labels, including a Grammy Award winning CD in 1994. A new recording of modern works for trumpet entitled Textures was released on the Ravello label in March 2016.

Chris Steele is Staff Pianist and Aural Skills Instructor at the University of Alabama at Birmingham. He has held previous positions at the University of North Carolina School of the Arts as Staff Pianist, and at the University of North Carolina at Greensboro as both Lecturer of Music Theory and Ear Training as well as Faculty Fellow for the UNCG Grogan College Music Learning Community. He received his Doctor of Musical Arts in Accompanying and Chamber Music from UNCG where he studied with Andrew Harley and James Douglass, and held assistantships in both accompanying and music theory/ear training. He received two Masters degrees from The Florida State University in Piano Performance and Music Theory where he studied with Carolyn Bridger.

A specialist in the lute songs of John Dowland, soprano Kristine Hurst-Wajszczuk’s solo CD of Dowland lute songs was released in 2008 by Centaur. Dr. Hurst-Wajszczuk debuted with the Boulder Bach Festival in 2004 and with the Alabama Symphony in 2011. Her solo oratorio repertoire ranges from Bach to Samuel Barber and her operatic roles from Mozart to Stravinsky. An active recitalist, recent tours have taken her to Italy, the Carolinas, Pennsylvania, Ohio, and Kentucky. She was invited by composer Bill Mayer to perform in his 70th birthday celebration concert in Carnegie Hall’s Weill Recital Hall, in the role of Madeline in his "The Eve of St. Agnes." In 2002, she was a regional finalist in the NATSAA competition; in 2006, she appeared on a Wisconsin Public’s Radio broadcast of Live from the Chazen Museum.

Denise A. Gainey is Associate Professor of Clarinet and Instrumental Music Education and Coordinator of Graduate Studies in Music at the University of Alabama at Birmingham. She is a Backun Artist/Clinican, an educational recording artist for Carl Fischer Music, and is secretary of the International Clarinet Association. Gainey is also the State Representative of Alabama for the International Clarinet Association, and served as the State Chair Coordinator for the ICA. She comes to UAB from a nine-year tenure as Assistant Professor of Clarinet and Coordinator of Music Education at Mars Hill College in Mars Hill, North Carolina, where she was a member of the Asheville, Kingsport, and Hendersonville Symphonies. She was a member of the Missouri Chamber Orchestra in Columbia, Missouri, from 1993-1997.

Gene Fambrough, DMA, is currently Assistant Director of Bands and Associate Professor of Percussion at UAB, where he has been on the faculty since 2001. He directs the UAB Percussion Ensemble, Steel Band, Electro-Acoustic Percussion Group, and Blazer Band, serves as percussion arranger and instructor for the UAB Marching Blazers, and is assistant conductor for the UAB Wind Symphony and Symphony Band. His compositions are published by Innovative Percussion and T.A.P. Publications.

Korean-Canadian Bass Won Cho is in demand in both concert and operatic repertoire worldwide thanks to the unique range and beauty of his voice as well as his outstanding acting ability and strong stage presence, appearing with many of the opera houses and orchestras of the US, Canada, Europe, Mid East, Asia, and his native Korea. Critics hailed Cho’s performances as “Expertly played whose deep tones vibrate the seats,” “One wished the score let him sing his overcoat aria twice,” “Won Cho steal(s) the show,” “Deep resonant mellifluous sound," "He sang with a grave, classic beauty," “A particularly dark, melodic yet rafter-ringing bass that is worth the price of admission all by itself.” 

Kevin Paul Turner is a native of Peoria, Illinois. His teaching philosophy and style includes utilizing all available technologies but firmly believes that human interaction is key in engaging students in the learning process. In the UAB Department of Music he teaches The Study of American Gospel Music, The Music Business and he is the founding Director of the UAB Gospel Choir. He lends his support to UAB’s African-American Studies program with a course he designed called the History of Gospel Music. His research appears in the curriculum of the Birmingham City Schools cultural diversity programs (Gospel Anthology I & II); The Music Educators National Conference (MAKING CONNECTIONS: Multicultural Music and the National Standards). He has been a contributing writer as well. "Teachable Moments" are uniquely woven into musical and theatrical productions that he has designed by involving his students conceptually and in the actual production. The magic of teachable moments happens when the subject matter is interwoven and applied into something seen, heard, felt, or experienced.

Yakov Kasman’s debut in America in 1997 as Silver Medalist in the Tenth Van Cliburn International Piano Competition in Fort Worth was the culmination of several competition triumphs and tours in Europe and the Middle East, including top prizes at the 1991 Valentino Bucchi Competition in Rome, the 1991 London World Piano Competition, the 1992 Arthur Rubinstein International Competition in Tel Aviv, and the 1995 International Prokofiev Competition at St. Petersburg.