Reaching Out to Guatemalan Women
By Jo Lynn Orr
After seeing the needs of Guatemalan women firsthand as a graduate student, Nancee Neel helped start an organization to support women and girls through education, health care, and community building. Photo courtesy Rebecca Daubert
The first time Nancee Neel visited Guatemala, she sensed an immediate connection. “I felt I had come home,” she recalls. It wasn’t the country’s breathtaking landscape of soaring mountains, lush cloud forests, and dazzling coastlines that drew her in; it was the people. “They are just amazing,” she says, “so loving and warm.”
Neel, an alumna of the UAB School of Public Health and former assistant professor in the school’s Department of Maternal and Child Health, first traveled to Guatemala in 1987 with David Coombs, Ph.D. (now professor emeritus of health behavior), to research her thesis for a master’s degree in public health. She returned the next year, and lived in Guatemala for six months while collecting information for her doctoral dissertation. Since then, she has gone back many times to learn more about the country’s culture, visit with friends, and make new ones.
Seeking a way to improve the lives and health of Guatemalan women living in rural areas, Neel began informally working with a local cooperative called Pop Atz’iaq in 2004. She helped establish a microcredit fund for women and an educational scholarship program for girls. Then in 2006, she and some friends in Birmingham started Threads Weaving Dreams, a nonprofit organization that provides resources and support to Guatemalan women and their families through education, health care, and community building.
The Threads group also works with a clinic called Primeros Pasos, which has established the Stairway to Good Health (Escalera a Una Buena Salud) program to improve the health of women through nutrition education and other health-promotion efforts. Another Stairway goal is to improve participating women’s self-esteem and leadership qualities, and to foster community participation and awareness of gender and identity.
“It is an amazing three-year program,” Neel says. “The first year targets health education, including preventive measures and how to recognize different kinds of illnesses, as well as issues that arise at the family and community levels. They really educate the women, many of whom never had the opportunity to attend school. The second year is about empowerment—self-esteem, gender issues, participation in the political process—issues that the women have never had formal instruction in.”
UAB Alumnus Is Viral Video Star
By Caperton Gillett
A few million people have seen Brian Curtin get his comeuppance in a UAB parking deck. He hopes that even more will tune in online to watch him get attacked by alien robots outside a Birmingham warehouse.
Bad things have been happening to this UAB graphic design graduate ever since he began making “stupid little short films” (his words) in high school using the video function on his still camera. He kept on making those films—with progressively advancing equipment and techniques—while he was at UAB, but it wasn’t until after he graduated in 2007 that Curtin found his cinematic calling.
As an art director at the Birmingham ad agency Big Communications, Curtin got plenty of experience using film-editing software—experience that spilled over into his own personal projects after work and on the weekends. Inspired by a raft of Star Wars-themed fan videos on YouTube, Curtin and some friends (including fellow UAB alumni Matt Hall and Mat Powell) decided they could make their own sci-fi movie, and make it better.
Following three months of elaborate choreography (it helped that he and another actor were “moderate breakdancers back in the day,” Curtin says), a month of shooting at a parking deck on UAB’s campus (first surreptitiously, later with an official permit), and six to eight months of post-production work on his computer, Curtin unleashed Concrete Hustle on the world.
The nearly four-and-a-half-minute film—a raging lightsaber battle involving three combatants, backflips, flying leaps, several stab wounds, and an apparent high-altitude fall off the parking deck—is a monument to non-stop action. And even though Concrete Hustle has no dialogue, it certainly spoke to its audience: As of November 1, it has been viewed more than 2.7 million times.
Brian Curtin returns to the parking deck to talk about his first million views, the enduring power of lightsabers, and the prospects of a Concrete Hustle 2 in this video. Story continues below video.
In Sync With UAB’s Computer Music Ensemble
By Blake Tommey
Two words sum up the UAB Computer Music Ensemble (CME): far out. The 12-member group in the Department of Music mixes synthesizers with software—including Apple Logic, Reason, and ProTools—to create often-unconventional compositions.
Senior Andrew Hyde came to UAB to study music. What type of music, exactly, was still up in the air: he had no prepared instrument and wasn’t very keen on vocal performance, either. Then he discovered the CME.
“Singing in choir isn’t really my thing,” says the music technology major. “I’m here to write good music on computers and learn those techniques and styles. That’s my niche.” Hyde’s brand of music features everything from singing robots and electronic drum circles to Wii remotes that trigger modulated synthesizer notes.
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