He will speak at 5 p.m., followed by the reception at 6 p.m., in the AEIVA. Both events are free and open to the public.
AEIVA is open to the public 10 a.m.-6 p.m. Monday-Friday and 12-6 p.m. Saturday. It is closed Sundays and holidays.
One of the most prolific and acclaimed photographers of his generation, Levinthal uses toys and miniature figures as subjects for his images.
Levinthal, who is also considered to be one of the first postmodern photographers, uses much of his work to question the role of photography as a reliable presentation of historical fact through intricately restaging significant moments or cultural milestones throughout history. “As children, so much of our early social development occurs through these little melodramas that we act out with our toys,” said AEIVA Curator John Fields.
The majority of works on display in “David Levinthal: Playland” come from the most recent addition to the AEIVA Permanent Art Collection, a gift of 59 large-format Polaroids by Levinthal recently donated to AEIVA by an anonymous collector. The donation includes images from several series by the artist spanning multiple decades, including “Barbie,” “American Beauties,” “Blackface,” “Wild West,” “Mein Kampf” and “Passion.” Also included in the exhibition are works from several private art collections in Birmingham.
“This is a very significant acquisition for AEIVA,” Fields said. “AEIVA already houses many large-format Polaroids by several notable artists. To be able to add such a sizeable number of works by such an important artist greatly enhances the educational value of our collection. It is a remarkable privilege.”
Born in San Francisco, California, Levinthal received his Bachelor of Arts degree in studio art from Stanford University and his Master of Fine Arts degree in photography from Yale University. He received a National Endowment for the Arts Fellowship in 1990 and a John Simon Guggenheim Foundation Fellowship in 1995. Levinthal’s works have been exhibited extensively nationally and internationally, and featured in national publications including The New York Times, The Village Voice, Artforum and The New Yorker. His works reside in numerous public collections including The Whitney Museum of Modern Art, the Metropolitan Museum of Art, the Smithsonian Museum of American Art and the Birmingham Museum of Art.