Birmingham |
Teaching PoetryBecause the classroom is fluorescentbright against a dark 5 p.m. September sky, the window frames a '40's film: gusting breeze arches the chestnut limbs to point at a couple just met in the dusk. He is a still life, leather jacket buttoned, hair too short to blow, his legs sturdy and bound as tree trunks. She flames, long hair loose and lifting like her open raincoat, everywhere wings and curtains. What words pass between then, and again, to draw their faces nearer? Their lips barely move. Now her right hand rises, fingers curve in a sea wave that coaxes the earth away from gravity, the moment I can wait no longer to turn to the chalkboard and write a few notes about how lines can move meaning back and forth across the simple faces of words, lines as shuttles picking up connotations like ions, random until an atom's magnetic orbit opens out and epiphanies of exact motion bond them. He bends to her as if his heavy feet were pulling at roots. Her flying hair screens the kiss that I predict and I wonder what I talked about for the past half hour. --Marcia L. Hurlow |
Marcia L. Hurlow has published poems recently in Poetry, Poetry East, and Chicago Review. She has published two chapbooks, Aliens Are Intercepting My Brain (State Street Press) and Dangers of Travel (Thunderstone Press). This is her second appearance in BPR. |
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