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Factors in Media Selection
Taken from Gagné, R. M., Briggs, L. J., & Wager, W. W.
(1992). Principles of Instructional Design (4th ed.). Fort Worth, TX: Harcourt Brace
Jovanovich College Publishers.
Some of the practical factors to be considered in media
selection are:
- What size of group must be accommodated in one room on a
single occasion?
- What is the range of viewing and hearing distance for the
use of the media?
- How easily can the media be "interrupted" for
pupil responding or other activity and for providing feedback to the learners?
- Is the presentation "adaptive" to the learners'
responses?
- Does the desired instructional stimulus require motion,
color, still pictures, spoken words, or written words?
- Is sequence fixed or flexible in the medium? Is the
instruction repeatable in every detail?
- Which media provide best for incorporating most of the
conditions of learning appropriate for the objective/
- Which media provide more of the desired instructional
events?
- Do the media under consideration vary in probable
"affective impact: for the learners?
- Are the necessary hardware and software items obtainable,
accessible, and storable?
- How much disruption is caused by using the media?
- Is a backup easily available in case of equipment failure,
power failure, film breakage, and so on?
- Will instructors need additional training?
- Is a budget provided for spare parts, repairs, and
replacement of items that become damaged?
- How do cost compare with probable effectiveness?
Media Selection by Learning Outcome
Taken from Gagné, R. M., Briggs, L. J., & Wager, W. W.
(1992). Principles of Instructional Design (4th ed.). Fort Worth, TX: Harcourt Brace
Jovanovich College Publishers.
Learning Outcome
|
Exclusions |
Selections |
| Intellectual Skills |
- Exclude media having not interactive feature
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- Select media providing feedback to learner responses
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| Cognitive Strategies |
- Exclude media having not interactive feature
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- Select media providing feedback to learner responses
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| Verbal Information |
- Exclude only real equipment or simulator with no verbal
accompaniments.
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- Select media able to present verbal messages and
elaboration.
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| Attitudes |
- Exclude only real equipment or simulator with no verbal
accompaniments.
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- Select media able to present realistic picture of human
model and the model's message
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| Motor Skills |
- Exclude media having no provision for learner response and
feedback
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- Select media making possible direct practice of skill, with
informative feedback
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Instructional Handouts
Handouts can
be a very useful instructional tool, but, like all instructional tools, they can only aid,
not replace, a good lecture. Neither will handouts alone convert a poor lecture into a
good one. For some students, handouts seem to improve learning, while for others they may
merely make learning more efficient.
Some purposes of handouts:
- Provide an outline of the lecture and demonstrate that the
lecturer has given careful thought to the lecture and to the instructional needs of that
particular level of students.
- Emphasize what should be learned.
- Serve as an advanced organizer, putting the lecture into a
meaningful whole.
- Provide "skeleton" notes, freeing students from
the mechanics of note taking and allowing them to devote more attention to the lecture and
the visuals being displayed by the lecturer.
- Illustrate lecture content, assuring that the illustration
displayed on the slide is accurately conveyed to the students.
- Provide thought-provoking questions.
- Cite students to additional literature on the subject.
Some guidelines for preparing effective
handouts to accompany lectures:
- Identify the course, lecture topic, date of lecture, and
name of lecturer.
- Be sure that the handout is consistent with the lecture and
visual illustrations in sequence, terminology, and points of emphasis.
- Begin with an advanced organizer that outlines what is to be
covered in the handout itself.
- Demonstrate the relationship of components by written
explanation and/or visual organization (indentation, listing, etc.).
- Place a reasonable limit on the number of main points to be
covered in the lecture and the handout.
- Emphasize only those points worthy of emphasis. Effective
use of headings, underlining, indentation, etc., is very important. Excessive use of these
destroys the emphasis itself. Use a consistent means of providing emphasis (type size, all
caps, bold, underline, Italics, etc.) so that the student is oriented immediately to how
to recognize what you are emphasizing as most important.
- Define all terms with which students are likely to be
unfamiliar, and identify terms that are being used interchangeably.
- Include an example (clinical example, etc.) that illustrates
each major topic area.
- Guide students to carefully selected references. This is not
a place to list a comprehensive bibliography on each subject. If the course textbook is
appropriate, identify the pages where the topic is discussed.
- Use succinct phrasing that leaves space for the students to
add points that help them to understand and remember.
- Include appropriate graphs, line drawings, and tables used
in the lecture.
Summarize the key points at the end of the handout with
declarative statements or questions that the student should be able to answer.
Key questions that govern how an
instructional handout should be constructed:
- When to distribute it?
Before the lecture.......Note: a
detailed handout given to students immediately before the lecture may cause them to read
it instead of listening intently to the lecture or to decide not to attend the lecture at
all. A detailed handout given to the students well before the day of the lecture allows
the lecturer to expect the students to have familiarized themselves with the handout
contents before the lecture. A sketchy outline may be the most effective tool for
maximizing the impact of the lecture.
After the lecture.......this
approach prevents students from having divided attention during the lecture, but, not
knowing the contents of the handout to be received later, it will not prevent them from
copious note taking during the lecture.
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Tips on Designing Visual Illustrations
Adapted from a workshop by C. Micheal Brooks,
EdD, and James L. McKittrick, EdD., and from Using visuals in presentations, by
Media Services, University of Alabama at Birmingham.
Be sure they are legible. If images are
not legible, they usually do more harm than good. Most projection set-ups, including those
in the Volker Hall lecture halls, are designed so that the farthest viewer is no more than
six image widths from the screen. You can simulate this condition by holding a horizontal
slide or overhead transparency six image widths (9 inches for a slide; 54 inches for an
overhead transparency) from your eyes. If you can read the information when doing this
test, then the farthest viewer in the presentation room should be able to, also.
Check original artwork. If the artwork
is 1 foot wide, stand back 6 feet to view it.
Use simple type style, avoid using all capital
letters, and confine written material to a length and width that will enable adequate
enlargement for projection. There is no way that a full page of typing will be
legible on either a slide or an overhead transparency. Furthermore, lettering used in
books and other printed materials designed for normal reading distance are seldom large
enough for projection. Use the 6 image widths test and have them redone in larger type, if
necessary.
Use the horizontal format......so the
image can be projected larger and placed higher on the screen for easier viewing; changing
between verticals and horizontals is distracting.
Make them as uncomplicated as possible. Subdivide
complex information to make two or more simple visuals.
More Tips .
. .
Condense
information into key words. Use your narration to expand on the concepts.
Use
"progressive disclosure" to present complex information and prevent confusion.
For example, present the first part of a graph, discuss it, show a second visual which
adds to the next part of the graph, discuss it, and so on.
Disclose
lists or organizational points progressively to keep the audience from reading ahead or
becoming confused.
Show
only RELEVANT information via graphics and photographs. Use an overview shot and then
close-ups if necessary. Show only trends, directions, etc. if numbers are not necessary.
Include arrows,
circles, labels, or other highlights to draw attention to important areas. Use of
hand-held pointers is often awkward and distracting.
Use
color appropriately to highlight or aid in discrimination. Too many colors in a visual can
be distracting.
Establish contrast between an image and the background. In situations where there may be
stray light on the projection screen, yellow or white letters on a dark background are
usually more effective than dark letters on a light background. Avoid red and green
because of people's red/green colorblindness.
Slides vs. Overhead Transparencies
Adapted from a workshop by C. Micheal
Brooks, EdD, and James L. McKittrick, EdD., and from Using visuals in presentations,
by Media Services, University of Alabama at Birmingham.
| |
Slides |
Overhead Transparencies |
| Advantages |
- Excellent detail and color
- Easily controlled by presenter
- Very compact and portable
- Inexpensively produced
- Easily up-dated
- Freedom of movement by presenter
- Many visual effects possible
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- Easy to manipulate, point to specific areas, add overlays,
and progressively uncover
- Enables eye contact with the audience
- Can be written on, erased, etc.
- Inexpensive to prepare
- Can be used with room lights on
- Allows progressive build-up of visual
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| Disadvantages |
- Impractical for photographic images
- Requires darkened room
- Legibility can be a problem
- Difficult to point to specific areas
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- Less freedom of movement by presenter
- Must tilt screen to avoid picture distortion
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