Levinthal will speak about his work at 5 p.m. Friday, March 2, with a free reception to follow from 6-8 p.m., presented by UAB’s Abroms-Engel Institute for the Visual Arts.
In honor of Black History Month, UAB’s Alys Stephens Center presents Reggie Harris and his original, historical and musical performance about the Underground Railroad.
John Strohm, a music technology grad, says he owes a debt of gratitude to UAB and his professors for “making it easy to find my way on this professional journey.”
The UAB Department of Music will present pianists Sahun Hong and Kenneth Broberg, annual trumpet and clarinet symposiums, and dozens of free performances.
The “I Am” project, featuring four original works, is inspired by the struggle for civil rights. Ballet Memphis is the guest company-in-residence for the 2018 Alabama Dance Festival.
Henry Panion III will conduct the orchestra, and choirs from UAB, Alabama A&M, Alabama State, Tuskeegee, Birmingham-Southern, Miles and Talladega colleges will join the tribute at UAB’s Alys Stephens Center.
An annual tradition since 2001, the concert features hundreds of singers as the UAB choirs and Trumpet Ensemble are joined by area high school choirs and the Steel City Men’s Chorus.
The Alys Stephens Center will also present a free sensory-friendly show Nov. 18. During Kevin Spencer’s residency, he will meet with patients at Children’s of Alabama and patients and students at UAB.
For its 22nd anniversary, choir alumni from throughout the state and country will journey home to join members in concert and bid farewell to founding director Kevin Turner.
From found objects to the most fragile and intricately constructed instruments, the program will feature instruments all belonging to the trumpet family and works that prominently feature the trumpet.
Part of the Alys Stephens Center’s Salon Series, this performance offers unique, onstage seating. On the program are works by Mozart, Saint-Saëns and Dvořák.
“Chamber Music @ AEIVA” connects chamber music with the visual arts. The music was chosen in conjunction with the current exhibition “Titus Kaphar: Misremembered.”
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