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Dr. Noa Turel

Art History Program Director
Associate Professor
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Dr. Cathleen Cummings

Cultural Heritage Studies Program Director
Associate Professor
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Dr. Susan Spezzini

School of Education
Program Director and Professor
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  • Elizabeth Blackford, The Noahic Pattern in Nicolas Rolin’s Patronage: Jan Van Eyck’s Rolin Virgin and Rogier Van Der Weyden’s Beaune Altarpiece, 2023
  • Mclean Boone, Converging Crises: The Spanish Flu and WWI’s Influence within Egon Schiele’s Oeuvre, 2023
  • Claire Theresa LeSar, Representing Motherhood and Aging in Leonora Carrington’s Bird Iconography, 2022
  • Molly Claire Kinstler, Destiny in the Details: Jacopo Zucchi's Ages as Ferdinando I De' Medici's Astrological Natal Chart, 2021
  • Yen-Hua Liu, Japonisme and Modernity in Thirty-Six Views of the Eiffel Tower by Henri Rivière, 2021
  • Meagan Daughtry Bailey Oates, The Two Marys in Bruges: Images of the Virgin and Child Over the Cityscape and the Reign of Mary of Burgundy, 2021
  • Lijun Ma, Went through the Fog of Ideology: A Contemporary Chinese Artist's Reflections on the Cultural Revolution, 2020
  • Carmen González Fraile, Photographs of the Children’s March and Their Afterlives, Summer 2018
  • Kristen McArthur, Female Somatic Spirituality in post-Tridentine Art: Rutilio Manetti's St. Catherine of Siena Drinking from the Side Wound of Christ, Summer 2018
  • Jennefer Celeste Paxton, Ritual, Self-Defense, and Territoriality at the Rock Art Site of Chaturbhujnath Nala, India, Spring 2017
  • Christina Joan Inman, Memory, Memorials, and Commemoration: Enacting Remembrance for the Comfort Women of WWII, Spring 2017
  • Kelly Allen Gentry, Symbols of Independence, Love, and Sorrow: Georgia O’keeffe’s Skyscraper Series, Spring 2016
  • Amelia Hobson, Andy Loves Richard: The Revelations of “Vote McGovern” (1972), Summer 2016
  • Amy Williamson, “The Ladies” Who Founded MOMA: How Three Female Art Collectors Created One of the World’s Leading Museums, Spring 2016
  • Jared Hansen, Pontiffs of Stone: Art as Propaganda in the Papal Tombs of Avignon, 2015
  • Ruoxin Wang, Aping Nobility: Reinterpreting the MMA “Monkey Cup”, 2015
  • Pinar Zararsiz, Orientalism Redux: Inci Eviner’s Harem, 2015
  • Kristen Latulipe, A Sinner in the City: Contextualizing the Magdalen vita Panel c. 1280, 2014
  • Angela May, Sak Yant: The Transition from Indic Yantras to Thai “Magical” Buddhist Tattoos, 2014
  • Joanna Wilson, The Bear and the Tiger: Decoding Attitudes and Anxieties towards Nature through A.A. Milne’s Winnie-the-Pooh in Post-WWI Britain, 2014
  • Alexa Hayes, Kitten Has Claws: The Feminine, the Feline, and the Threat of the New Woman in Cecilia Beaux’s Sita and Sarita, 2013
  • Bethany McClellan, Science of Sleep: Tracing the Visual Language of Dreams from Fuseli to Gondry, 2013
  • Annie White, Clear Cut Lines: Reconsidering Max Beckmann's Influences, 2013
  • Kelsey Frady, Frances Benjamin Johnston: Imaging the New Woman through Photography, 2012
  • Nicole Jordan, “A Very Amusing Bit of Blasphemy”: Honoré Daumier’s Histoire Ancienne, 2012
  • Linda Pierini, Objects of Worship Based on the Lotus Sutra: The Gohonzon by Nichiren, 2012
  • Stephen Smith, Catherine Jeffrey Jones’s Idyl: The Comic Strip in Science Fiction and Art, 2012
  • Mary Katherine Russell, Drawing a Bath: Works by Robert Henri and George Bellows at the Birmingham Museum of Art, 2011
  • Kelly Wockenfuss, Daoist Elements in Cai Guo-Qiang’s Inopportune and Head On, 2011
  • Qi Tie, The Imperial Face of China at the Turn of the Twentieth Century: An Analysis of Empress Dowager Cixi’s Portraits, 2010
  • Ashley Allison, The Display of the Animal Body in the Art of Angela Singer, 2009
  • Jenny Blount, The Black Male Nude: A Study of John Singer Sargent’s Thomas McKeller Nude within the Context of Nineteenth-Century Art and Culture, 2009
  • Cynthia Castillo, Protective Art of Indonesia: Balinese Kris Holders from the Collection of the Berman Museum of World History, 2009
  • Alicia Cook, Edgar Degas’s Fan Shaped Designs: Art, Decoration, and the Modern Woman in Late Nineteenth-Century France, 2009
  • Michele Forman, “Voyeurizing the Voyeurs”: An Analysis of the Gaze of the Non-Human Other in Chris Marker’s Sans Soleil,” 2009
  • Andrew Jones, Kay Nielsen, and the Illustrated Gift Book, 2009
  • Kathryn Sullivan, Borso D’Este and the Arthurian Legend: A Reconsideration of the Hall of the Months in the Palazzo Schifanoia, Ferrara, 2009
  • Nancy Wright, Urban Perspectives and the Modern City in the Works of Gustave Caillebotte and Childe Hassam, 2009
  • Christina Dick, The Mother in Seventeenth-Century Dutch Art, 2008
  • Emma Fox, The Journey of the Queen of Sheba and The Meeting of Solomon and Sheba: Two Cassone Panels from the Workshop of Apollonio di Giovanni, 2008
  • Amber Henson, Science, Technology, and Portraiture: Justine Cooper’s Rapt and Transformers, 2008
  • Harley Acres, Gender-Bending and Comic Books as Art: Issues of Appropriation, Gender, and Sexuality in Japanese Art, 2007
  • Krista Chandler, Understanding Space: The Conceptualization and Evaluation of Space in DIA: Beacon, 2007

Contact Us

Dr. Noa Turel

Art History Program Director
Associate Professor
This email address is being protected from spambots. You need JavaScript enabled to view it.

Dr. Cathleen Cummings

Cultural Heritage Studies Program Director
Associate Professor
This email address is being protected from spambots. You need JavaScript enabled to view it.

Dr. Susan Spezzini

School of Education
Program Director and Professor
This email address is being protected from spambots. You need JavaScript enabled to view it.

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