Kristine Hurst WajszczukPublicity BioProfessor of Voice
Associate Dean, Honors College
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224 Honors Hall
(205) 975-1691

Research and Teaching Interests: Performance Anxiety Management, Meditation for Musicians, Body Mapping and the Alexander Technique, Dowland Lute Songs
Office Hours: By appointment

Hailed by the Journal of Singing for the “commendable clarity in her singing as well as rich expressiveness,” soprano Kristine Hurst-Wajszczuk’s solo CD of the world premieres of Lori Laitman’s The Secret Exit and Diana Rosenblum’s “Winter Rain” was released by Naxos in 2020. Recorded with frequent partner Denise Gainey, Fanfare noted that “hearing Hurst-Wajszczuk and Gainey work as one on these songs just underlines the music’s power,” since they “feel each and every nuance.” Sakira Ventura celebrates “the perfect articulation of the soprano, who seems to sculpt each one of the syllables of text.” Following pre-pandemic American, Belgian, and Canadian premieres, the duo will bring The Secret Exit to Austria in 2022.

In several appearances with Opera Birmingham, sang in Opera Shots and also created the role of Mary Rose in Jody Landers’s new opera, Now Let Us Praise Famous Men. The soprano has also premiered several new works with the Birmingham Art Music Alliance (BAMA) and chamber music at Abroms-Engel Institute for the Visual Arts (AEIVA series). She performed for composer Bill Mayer’s 70th birthday celebration concert in Carnegie’s Weill Recital Hall in the role of Madeline in the composer’s The Eve of St. Agnes. Other recent engagements include solo appearances with the Alabama and Tuscaloosa Symphony Orchestras.

In the realm of early music, she was featured in the title role of Dido & Aeneas with Bourbon Baroque, Louisville’s period instrument ensemble. She is slated to return in 2022 for Handel’s Neun Deutsche Arien. Other appearances include the title role in Cavalli’s Erismena with the Amherst Early Music Festival and the New Year’s Eve concert with the Boulder Bach Festival. A specialist in the lute songs of John Dowland, her solo CD of Dowland lute songs was released in 2008 by Centaur. She has performed and lectured throughout North America on the socio-political intrigue surrounding the songs. Her training included a fellowship at the Early Music Vancouver “Compleat Singer Programme.”

Dr. Hurst-Wajszczuk’s research interest in managing performance anxiety has expanded to wellness for students of all majors. She is a Licensure Trainee through the Association of Body Mapping Educators and is currently the only Koru-certified meditation teacher in Alabama, a kind of meditation developed by Duke University for emerging adults. During the pandemic, she has presented over 40 mindfulness workshops for music programs in universities around the country, for the National Association of Teachers of Singing (NATS) regional and national conferences, the National Collegiate Honors Council, and the Mental Health Ambassadors at the University of Alabama at Birmingham.

Her recent national and international conference presentations include the National Collegiate Honors Council, the International Congress of Voice Teachers in Stockholm, the National Association of Teachers of Singing national conference, the College Music Society national conference, and The Voice Foundation. In 2013-14, she was a Fulbright finalist, and was invited to teach at the Vienna Conservatory in Austria. Her workshops have also been featured at summer sessions in Szeged, Hungary.

Dr. Hurst-Wajszczuk has served two terms as NATS Vice President for Workshops, on the board of Wisconsin NATS, as Alabama NATS Governor, and as the Education Chair for Southeastern Regional NATS. She currently serves as the Webinar Chair for the Association of Body Mapping Educators. In 2007, she founded the first student NATS group in Alabama, and has served as their advisor ever since. Also an award-winning opera director, her productions have won first, second, and third place awards through the National Opera Association. In 2019, she was appointed the inaugural Associate Dean of the Honors College at the University of Alabama at Birmingham. For more information, please visit www.kristinehurst.com.



Solo:
  • The Secret Exit (Naxos)
  • Dowland Lute Songs & Ayres (Centaur)

Choral:
  • Bach: The Passion According to Saint Matthew (New York Philharmonic Special Ed.)
  • Menotti: Goya (Opera D’Oro)
  • Strauss: Die Liebe der Danae (Telarc)
  • Wagner Overtures and Choral Music (Sony Classical)
  • Westminster Choir: Favorite Hymns and Anthems (Gothic)
  • “Do They Really Get It? Using the Kolb LSI to Reach Every Student,” Journal of Singing (March/April 2010)
  • “Dowland Lute Songs and the Cult of Elizabeth,” Journal of Singing (May/June 2007)
  • “Dowland Lute Songs und ‘The Cult of Elizabeth’,” translated into German for Vox Humana (October 2011)
  • “Hormone and enzyme reactivity before, during, and after a music performance: Cortisol, testosterone, and alpha-amylase” Comprehensive Psychoneuroendocrinology (February 2022)
  • Association of Body Mapping Educators, Licensure Trainee and Webinar Committee Chair
  • Education Chair, Southeastern National Association of Teachers of Singing
  • Vice President for Workshops, National Association of Teachers of Singing, 2016-2020
  • Online Index Editor, Journal of Singing
  • Max Kade Fellow, German for Singers program at Middlebury College’s Summer Language School, 2008
  • Fellow, Early Music Vancouver’s The Compleat Singer Programme, 2010
  • Fulbright Finalist, 2014
  • Early Music America
  • College Music Society
  • Pi Kappa Lambda
  • National Scholars Honor Society
  • Songfest Mentor Program, 2012
  • New York State Summer School for the Arts Faculty, 2011-2012
  • Advisor, Student National Association of Teachers of Singing at UAB